| 2001 | Crusader Hillis, ‘A History of Stoppages and Blockages: Margaret Morgan's Hotel Australia’ in Festivities, Issue 1, No. 22, May |
| 1998 | Mario Ontiveros, 'Clogging the Works', zingmagazine, New York, Volume 2, Winter |
| 1997 | Amelia Jones, Mr. Clean, art /text, Pasadena, CA, No. 58 |
| 1995 | Jeff Gibson, 'Sydney: Theory or Therapy?’ Flash Art, Vol. XXVIII, No. 185, November - December |
| 1991 | Catriona Moore, 'The Skin Trade', Binocular, Ewen McDonald and Juliana Engberg, eds. Moët |
| and Chandon Edition Contemporaine, Sydney |
| 1990 | Julie Ewington, 'Rhyme and Reason: Margaret Morgan's Tales of Love', Art and Australia, Vol. 27 No. 4 |
| 1989 | Joanna Mendelssohn, 'Artist on the Move', The Bulletin, May 16 |
| 'Vintage '89', Vogue Australia, April |
| 1987 | Russel Baker, 'Portrait of the Artist', Follow Me, May |
| 1985 | Maggie Gilchrist, 'Male Monoliths, Female Symbols', Art and Australia, Volume 23 No. 2 |
| 2002 | Holly Myers, ‘Objects of Desire’, LA Weekly, February 1-7, 2002, Los Angeles |
| Andy Brumer, ‘Margaret Morgan’, ArtScene, July 2002, Los Angeles |
| 2001 | Mark Wilsher, ‘East 2001’, Art Monthly, United Kingdom, September |
| 2000 | Jill Sykes, ‘On Their Selections’, The Australian Way, No. 25, May |
| Charles LaBelle, ‘Church’, Bijutsu Techno Monthly Art Magazine, Tokyo, Japan, June |
| 1999 | A. M. Rousseau, ‘Margaret Morgan: When Nature Calls’, Photo Metro, San Francisco, Vol.17, No. 154 |
| Anne Marie Rousseau, ‘When Natures Calls’ FotoPhile, Long Island City, NY, No. 31, Spring |
| Mary-Kay Lombino, ‘Margaret Morgan at the Living Room’, Art Week, Volume 30, Issue 5, May |
| Jody Zellen, ‘Margaret Morgan’, ArtScene, Vol. 18 No. 7, March |
| 1998 | Bill Arning, 'Bathroom', Time Out, New York, NY, July 9 - 16 |
| Blair French, '1998 Adelaide Biennial of Australian Art', art/text, LA, CA, No. 62, August - September |
| Lisa Anne Auerbach, ‘Trash at LA Municipal Art Gallery’, LA Weekly, April 3 - 9 |
| Stephanie Radok, 'Our Private Irrationality: world-making', Adelaide Review, South Australia, March |
| 1997 | William Makepeace Arnold, 'Order in the House', MSO Spinout, Melbourne, September 26 |
| The Melbourne Weekly, September 2 - 8 (listing) |
| The Sunday Age, Melbourne, September 7, Life Supplement (listing) |
| 1993 | Juliana Engberg, 'Margaret Morgan, William Mora Galleries', Art and Text, Sydney, No. 46, September |
| 1992 | Fiona Moore, 'Dark Obsessions in Another World', Business Review Weekly, Melbourne, Australia, May 1 |
| 1990 | Beverly Creasey, '88 Room Ushers in Era of Post-Hype', Allston-Brighton Journal, Massachusetts, Vol. 4 - 23, June 14 |
| 1989 | Cecily Miner, 'Margaret Morgan: Rhyme and Reason', Eyeline, Brisbane, Australia, No. 10, December |
| Frazer Ward, 'Between Here and There', The Sydney Review, Sydney, July |
| 1988 | Arthur Berman, 'Out of the Blue', TNT, London, England, No. 252, June 27 |
| Larry Berryman, 'No More Blue Horizons', Arts Review, London, Volume XXXX No. 13, July 1 |
| 1987 | Avenel Mitchell, Catriona Moore, 'Staking Claims', Photofile, Sydney, Summer |
| 1985 | Merilyn Fairskye, 'The Heartland Forum', On the Beach, Melbourne, No. 9, August |
| Catherine Lumby: 'Heartland (forget the hearts and flowers)', Art Network, Sydney, No.16, Winter |
| Vicki Vidikas, 'Six Painters Unveiled', The Financial Review, Australia, August 2 |
| Jane Inglis, 'Challenging the Individual Genius', Tribune, Sydney, March 6 |
| 1984 | Avenel Mitchell, 'Critiques', Art Network, Sydney, No. 13, Spring |
| 2001 | Juliana Engberg, introduction, Federation Festival: The Australia Projects, Melbourne Festival |
| Humphrey McQueen, ‘Syncretic Constitutionalism’, Federation Festival: The Australia Projects, Melbourne Festival |
| Crusader Hillis, ‘A History of Stoppages and Blockages: Margaret Morgan's Hotel Australia’ in Festivities, Issue 1, No. 22, May |
| 1999 | Helen Grace, ‘Aesthetic Engineering’ in A Plumber’s Guide, Los Angeles, CA: Plumb Productions |
| 1998 | Reed Wilson in ed. Stephen Hull, Blind Date, California Institute of the Arts Press, Valencia, CA |
| 1997 | Joshua Decter, 'The Gala Committee', In the Name of the Place, Grand Arts, Kansas City, Missouri |
| Mario Ontiveros, 'Clogging the Works', Out of Order, Australian Centre for Contemporary Art, Melbourne |
| Julie Lazar, Tom Finkelpearl, Marita Sturken, Uncommon Sense, Museum of Contemporary Art, LA |
| 1995 | Pam James, Working Girls, Campbelltown City Art Gallery |
| Belinda Carrigan, In The Company of Women, Perth Institute of Contemporary Arts, Perth |
| Philip Kent, Non-Criminal Criminals, Hyde Park Barricks, Sydney |
| Pamela Zeplin, Women in Society Over the Past 100 Years, Central Gallery, Adelaide |
| Juliana Engberg, 'The Museum of Selves', Persona Cognita, Museum of Modern Art at Heide, Melbourne |
| 1992 | Sally Couacaud, Frames of Reference, Aspects of Feminism and Art, Artspace, Sydney |
| 1990 | Nancy Underhill, Acquisitions, 1984-1990, University Art Museum, University of Queensland, Brisbane |
| Tim Morrell, The Complex Picture, South Australian College of Advanced Education, Adelaide |
| 1992 | Moët and Chandon Art Fellowship Touring Exhibition |
| 1989 | Alison Carroll, Irony, Humor, and Dissent, Manly Regional Art Gallery |
| 1988 | Helen Topless, From Margaret Preston to Margaret Morgan, Art Gallery of Western Australia, Perth |
| 1987 | Julie Ewington, Domestic Contradictions, Power Institute of Fine Arts, University of Sydney |
| John McPhee, The New Romance, Australian National Gallery, Canberra |
| John Walsh, Australian Drawing: the Eighties, Australian National Gallery, Canberra |